In the transformation between adulthood and childhood violence, gender, nationality all influence how one experiences that change. However, in adolescent coming of age stories the greatest factor affecting transformation is often gender, as illustrated by “The Laughing Man” by J.D. Salinger, “The Wild Dogs” by Peter Skrzynecki, “The Verb To Kill” by Luisa Valenzuela, and “Where are you going” by Joyce Carol Oates. In adolescent stories gender determines one's experience more than nationality because boys tend to experience physical violence while girls tend to experience troublesome relationships.
“The Laughing Man” is a vignette about a boy being watched after school by the “Chief”(71) who is their babysitter. The Chief tells the boys stories
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The narrator and Janek go to Janek’s house, and when they arrive, they find Olga cheating. Janek gets extremely angry and starts swearing and beating Olga. Janek throws her out of the house: she “literally flew through the air (7) and she has to go to the hospital for “both her hands broken” (8). This is a terrible and frightening experience for a young child to see. After witnessing the beating of Olga, the narrator is more scared, and he has to process this adult situation . This violent act forces him to “grow up” …show more content…
“My sister and i are afraid he’ll catch us one night and kill us”(115) Almost every line of the story dwells on the concept of fear. The girls fear grows into actions “i keep imagining” (115) they don't have any adults to give them a reality check because they are absent. This story doesn't take place in a specific country other than a generic beach. This way the author can focus on how violence affects someone independent of what country it is in. The story “Where Are You Going, Where have you been” is about Connie a girl who lives in the U.S. She goes out with her friends and lives an ordinary life. Her mother is alway comparing her to her sister. Her parents are don’t chaperone the youth in the evenings. She falls into the hands of Arnold Friend, who tries to abduct her. This could happen to any young girls
2. The Connie’s character, in “Where Are You Going, Where Have You Been,” is a fifteen year old, naïve girl. She has two sides to her personality, “everything about her had two sides to it, one for home and one for anywhere that was not home” (1). At home she would act childlike and away from home she would act older, making her sexual appeal stand out. Like most teenagers, Connie didn’t get along with her family and is in constant battle with her family.
On a date, she noticed a guy in a gold convertible. The same guy, Arnold Friend and his friend, Ellie, showed up at her house while her family was gone to a barbeque. Arnold is trying to convince Connie to take a ride with him but Connie is fearful of his intentions. Through manipulation and threats, he finally lured the young girl to leave with him. In “Where are you going, where have you been”, Joyce Carol Oates used inspiration from a song and serial killer to write an incredible short story packed with themes and symbolism.
“Where Are You Going, Where Have You Been” made me a bit uncomfortable while reading it. I would have to say that the theme for this story would have to be about family. This would be because family played a rather large role in the story. Although Connie had been rather critical towards her family and did not like them much, she did care about them to some degree. Knowing that Connie cares about her family, Arnold Friend threatened them to scare her.
In Joyce Carole Oates short story,” Where Are You Going, Where Have you Been”, the battle of perception and reality comes into play when Connie ,a young teenage girl tries to portray herself as an adult by using her appearance as well as attitude in order to attract the attentions of older men. This fantasy world of Connie’s is eventually overthrown by Arnold Friend, causing her to snap back into the realization that her sexual fantasies will soon be a reality. This overall theme of sexual reality is reinforced by the different uses of music and character symbolisms of Connie and Arnold
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates is about a teenage girl named Connie who is in the mist of her adolescent rebellion. She wants to prove her maturity to others and herself. In the story, Oates describes that Connie always lets her mind flow freely in between her daydream. She even creates and keeps dreaming about her ideal male figure in her mind to make her happy and satisfied. Oates allows the reader to step into Connie’s “dream world” through the appearance of Arnold Friend.
In Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Connie is a fifteen-year-old girl, who does not necessarily get along with her family. During the week, she often times goes to a shopping plaza with some of her friends. However, they sneak across the highway to go to a popular diner where the older crowd hangs out at. At home, Connie is often times arguing with her family. One day her family is invited to her aunt's barbecue but Connie refuses to go.
Geoffrey Canada does an excellent job of bringing his readers to the streets of the South Bronx and making them understand the culture and code of growing up in a poor, New York City neighborhood in the ‘50s and ‘60s. In his book, Fist, Stick, Knife, Gun, Canada details, through his own childhood experiences, the progression of violence in poverty plagued neighborhoods across America over the last 50 years. From learning to be “brave” by being forced to fight his best friend on a sidewalk at six-years-old, to staring down an enraged, knife wielding, “outsider” with nothing to defend himself but nerve, Canada explains the nightmare of fear that tens of thousands of children live through every day growing up in poor neighborhoods. The book
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
The New and Lonesome Normal Joyce Oates’s “Hi Howya Doin” depicts the violence that has captured and encapsulated today’s culture. The un-deemed murder of an innocent jogger in the end of this story validates and justifies the fear that so many individuals feel. In Oates’s short story, “Hi Howya Doin”, the protagonist is depicted as a “Good-looking husky guy six-foot-four in the late twenties or early thirties, Caucasian male…..solid built as a fire hydrant, carries himself like an athlete, or an ex-athlete” (214). Through the police report, giving the description of the protagonist, Oates foretells his surprising fate at the beginning of the story which in turn, creates tension and suspense for the reader as the protagonist goes about what
In Drinking Coffee Elsewhere, the major theme that develops is a loss of innocence. This loss of innocence is a common theme in many of the stories including Brownies, Our Lady of Peace, Speaking in Tongues, and Geese. In the first story Brownies, there is a troop of black girl scouts and a troop of white girl scouts going camping. The black girl scouts have always looked at the white girls as different, and were calling them names. “They smell like Chihuahuas.”
“At its most basic, every story is an attempt to answer the question What happened?” (Norton 85) One of the most significant elements in a short story is plot. Plot is construct by authors and they rearrange the character’s action in a consequential way to shape our response and interpretation (Norton 85). In "Where Are You Going, Where Have You Been?" by Joyce Carol Oates and "Sonny's Blues" by James Baldwin, they use similar plot styles that contributes to the process of maturation for characters in the stories.