Charles Kane In 'Citizen Kane'

Citizen Kane is the life story of a powerful newspaper magnate, Charles Foster Kane. It is a fictionalized biography of the ruthless publishing baron, William Randolph Hearst (1863-1951). In actuality, the characters in the movie are composites, drawn from the lives of several famous American tycoons, but Hearst was the most obvious. Photography Gregg Toland, the cinematographer for Citizen Kane, considered the film the high point in his career & thought he might ‘learn something’ from the boy genius (Welles).

Charles Foster Kane, who was he really? By Thompson ... (1941) Charles Kane was a man that some of us hated or some us loved. He was a mysterious man, we know nothing of him, however we have heard of him. From friends, family, or especially in the newspaper, but who was he really?

I believe that basing the film on his life brought both advantages and disadvantages. To start off, I think the advantages of this was that Charles Foster Kane was such a recognizable character and people would be familiar with who William Randolph Hearst. That when people watched this film, the audience will go out after watching it and talk about it more, getting lots of press. But also, the disadvantage was that Hearst did not want this film to get views, so he banned/prohibited the film to be advertized and mentioned in any way. From the film not getting publicity, this led to people thinking that the film was a bad move, which probably made the views drop down.

Citizen Kane starts off with two silent clips. The first clip tells us who the movie was directed by, followed by the title of the picture. After these two clips take place, the mood starts to set. Cue the dark, gloomy and mysterious tone from the music that is played when the black and white images of the surroundings and many areas of Kane’s castle appear. All images are shady; there is almost no light.

I believe what Orson Welles is trying to portray through the movie Citizen Kane is the difficulty that goes into describing a person’s life after they have passed on. The reporter Thompson investigates Kane’s story and witnesses it unfold as it is told by those closest to him. Although this makes you wonder how different it would have been if Kane got to tell his own story rather than rely on the reminiscences of his colleagues because not a single one of these people knew or could figure out what drove Charles Foster Kane. The only person who could have fully understood Kane was Thatcher, but his concerns focused more on making money rather than the loneliness of a child. With each perspective we get on Kane’s life as well as the lack of his own point of view, it forces us to question what truly mattered in Kane’s life.

Both times, the main character realises that they have lost everything important to them and have ended up with nothing truly valuable. The play and the film similarly explore the regret and loneliness of those who have lost what is truly important to them. Macbeth and Citizen Kane clearly show the difference between acquiring material goods, and acquiring what is truly important: happiness. Macbeth and Citizen Kane explore the themes of greed, ambition and desire, and are both very clear examples of how such qualities can cause the loss of everything truly valuable. Both works show examples of how those who are overly ambitious can end up with everything they desired, yet nothing they truly want.

The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.

(Citizen Kane, 1941) Kane’s parents used the power of money as an accessory for giving him away to a billionaire. Since that day, the protagonist went through a traumatizing experience, insecurity and redisposition due to his parents’ actions, which marked the beginning of his tortuous need, to be loved. This unreturned love created a sense of fear and mistrust to love something or someone, only to experience abandonment again was something Kane never got a chance to learn. Citizen Kane broke all the rules because of Welles, there were no

Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”

Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.”

There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.

Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher.

In this essay I will be comparing the themes and the narrative techniques used in both films. Starting off with the film “Citizen Kane” as mentioned it is a story of a millionaire, Charles Foster Kane. It begins with Kane’s death and speaks a single word: “Rosebud”. The reporters in the hunt to know