The character that I have chosen to critique for this assignment is “Simon” played by Michael T. Kachingwe. Simon was one of the three characters in the play titled “The Whipping Man” written by Matthew Lopez and directed by C. Julian White. The production of “The Whipping Man” took place in Cal Poly Pomona University Theater. The production of “The Whipping Man” that I witnessed occurred on March 3rd 2018.
Physicality: The character Simon was an older African American man who was born a slave and has been a slave his entire life. When Simon walked he seemed to have a limp and leaned forward, to me this indicated that Simon has had a rough life that consisted of a lot of physical and strenuous labor. Simon also wore dirty clothing indicating that he worked in a not so clean area, that he did not have much clothing to wear, or he did not care about his appearance. The way Simon walked and looked made us believe that he was an African American slave in the south.
Diction: Simon was the one character that was the loudest and most understandable in the play. For example when Caleb was getting his leg amputated by Simon Caleb was screaming and pushing, however that did not stop us from hearing the words Simon was telling John about holding Caleb down.
Projection: The actor Michael T. Kachingwe was very loud and clear. Michael pronounced every
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Kachingwe took a few risks . The main risk that I believe Michael took was playing the role of an African American slave who is also a Jew. Even though there was not much name calling towards Simon there was some racial names in the play. Playing a person of a certain religion can also be controversial because religion will always be a controversial topic in any setting. An additional time when Michael took risks was when he was beating John and Caleb. When beating John he had to be carely not to throw him off stage, and when beating Caleb he had to make sure he did not drop him off the
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
In the story, “The Palace Thief”, the characters gain different interactions with each other. Throughout the story, those relationships start to change. Mr.Hundert, a main character in the story, develops relationships some of these characters. Here is how those relationships change from the beginning to the end. First up is Sedgewick Bell.
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Antonio “Tony” Marez is only a six year old child at the start of the book. His father trying to push him into cattle herding, while his mom is pushing him to become a priest. He instead works under Ultima a elderly women that is a healer in the community. Antonio is a businesslike child.
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“Mr. Freeman is ugly. Big old grasshopper body, like a stilt- walking circus guy. Nose like a credit card sunk between his eyes. But he smiles at us as we file into class”(10).
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