Chapter Summary Of Kingston's 'Warrior'

One thing Perdue could have done to have taken this book to the next level, is include more insight from specific Cherokee women. With their insights, it would have given more of a direct insight as to actual stories making the book more interesting. If she had included more examples of Cherokee women today and how they demonstrated strength this book could have been better. Also, Perdue’s analysis reveals the burden of her politics. It is evident that at times she uses communitarian and the female centric nature of Cherokee society to criticize modern American gender relations and society.

The author starts out stating that not much remains of Hugh Glass because after all, the only known direct source from Hugh Glass himself is a single letter. Because of this, not much is known about him, which the author states is why he chose him. No one knows of his opinions or his appearance. The only thing the author and other historians can definitely know for sure is that he had phenomenal survival skills. Hugh Glass was mauled by a female grizzly bear in the summer of 1823.

I read the book, Bound, written by Donna Jo Napoli. The book is about a young chinese woman, who is bound to her father’s second wife. This is because he passed away and, back in 17th century china, young woman had very little power or say in situations. Also woman were thought to less value of worth then their livestock. Throughout the day’s of dealing with her step mom she, loves to do poetry and calligraphy.

When I first began to read the short story “Leng Lui is for Pretty Lady” by Elaine Chiew, it appeared like a simple story about a maid’s routine or simple life is explained. As I read further, I felt that the author is not just recognizing the life of a maid but it is portraying the importance of a maid in the family. As a reader, the part that stood out to me the most was where Mr. Kong tries to seduce Alina, I was stunned because I realized that there are people who think that maids would do anything he wants them to do. From the beginning itself

Maxine Hong Kingston's use of talk stories in The Woman Warrior emphasizes that individuals will find a more fulfilling life if they defy the traditional gender norms place on them by society. While contemplating beauty standards in Chinese society in “No Name Woman” Maxine Kingston thinks, “Sister used to sit on their beds and cry together… as their mothers or their slaves removed the bandages for a few minutes each night and let the blood gush back into their veins” (9). From a young age girls are expected to be binding their feet and are told that it is to look beautiful, but in reality that is not why. When a womans feet are bound they are restrained and silenced. These girls could be free and happy but they are restrained by men through this binding.

To be true to herself she feels that she must represent both women and not drift to either side. In lines 53 and 54 Song says, “You find you need China: your one fragile identification.” That explains how delicate of a situation it is not to leave her culture behind. Though emotional freedom brings strength, cultural heritage is a source of freedom, because acceptance of culture is a release and freedom is

In the Tain, ladies utilize their sexuality, influence, physicality, riches and even some heavenly capacities to demonstrate that they 're as equivalent as men are. Despite the fact that men in the Táin are ordinarily depicted as the most grounded and most imperative, their energy gets to be powerless under the lady 's impact. Women are shown manipulative in this narrative. The male protagonists of the story like Cú Chulainn, Ailill and Ferdia would have accomplished nothing if not for the endeavors of the females Queen Medb, Macha and Fedelm. Irish women were as strong and bold as men.

The context of the text was to support women’s rights by encouraging women to better themselves as wives by valuing intelligence and culture over beauty. The audience that this speech is targeted towards is women. She specifies women as the audience by tailoring her speech towards women and appealing to their emotions, situations, and circumstances. For example, she says, “I could not believe that God gad created so many homely women, and suffered all to lose their beauty in the very maturity of their powers, and yet made it our duty

Leslie Marmon Silko’s novel, Ceremony, depicts women and their struggle with power and control as the oppressed group in various ways through sexual encounters and their relationships to men. However, the character of Ts’eh specifically personifies the opposite: she maintains power and control throughout her relationship with Tayo. In a novel about the power dynamic between the oppressed and the oppressors, perhaps it is no coincidence that Ts’eh does not struggle with power, because perhaps she is simply a female figment of Tayo’s imagination used to help him understand societal issues. Tayo’s incessant and unrelenting feelings towards Ts’eh, which result in maintained connection with her, demonstrate the idea that Ts’eh is merely a figment

this shows the severity of her predicament because she is denying something that is almost never given to them. Although this is not a resistance that affects her counterparts, this in itself was a woman straying from the inhumane norm without the help of

In the end her push for equality’s of gender, causes her to be sent to death by the male figure she

" The disparity between social expectations and hidden personal desires ultimately leads to her frustration, indirectly highlighting the oppressed situation of women in China" (Louie 44). Overall, Liusu gains what society expects of her at the end of the novella, however, that leads to

In “The Field of Life and Death”, Xiao Hong uses the characters’ suffering and symbolism to demonstrate the breaking of traditional male and female roles. As Howard Goldblatt mentions in the translator’s introduction, “the villages’ fatalistic attitudes and repeated mention of the four distresses (birth, old age, sickness, and death) are unquestionable” (xiii), Xiao Hong represents these distresses with the main female characters without reservation in the process of childbirth, aging, disease, and death. Through childbirth, men shrink from responsibility 1. Childbirth and responsibly 2. Old Age and 3.

In the movie, Mulan, by Tony Bancroft and Barry Cook, they use the character, Mulan, to represent feminism and gender roles of women, such as bringing honor to their family through marriage, and how women are deemed to be “inferior” in the eyes of men, for example, when women are not able to participate in war, allowing Mulan to act and fight for what she believes is to be right. Although having a feeling of superiority over women, men tend to act more based on pride and honor than what they believe is to be just, thus making them seem unruly and disgusting. During the ancient Chinese Dynasty, many of the women were looked down upon, making the men have a feeling of superiority over them. Men are usually portrayed to uphold the family honor

The two important themes that I identified within this extract are beauty and love. Firstly, beauty is conveyed via descriptions of Ling’s wife. This is evident in the line “ une épouse et la prit très belle”. I think that the beauty of the wife mirrors the appreciation for aesthetics that is clearly evident in the text as if the wife herself, was as beautiful as one of Wang-Fô ‘s paintings. The latter theme is evident in the love for his wife as well.