Beetle Genre In Tim Burton's Films

In Tim Burton’s fantasy film entitled Edward Scissorhands, he suggests that things are not what they seem, and it's important to look beyond appearances and truly understand what people's actions are. He conveys this idea through high key lighting, tilt camera movements, and close up shots. Burton’s purpose is to educate the viewer in order to show that looks can be deceiving. He creates a somber tone for prejudiced people. Tim Burton's fantasy film "Edward Scissorhands" serves as a painful reminder that things are not always what they seem and that it is crucial to look beyond appearances to truly understand people's actions.

Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.

Gordon Willis uses mostly low-key lighting in the entirety of the film. Low-key lighting makes the scene seem more eerie and

Tim Burton is a famous director who puts a lot of originality into his work. Burton uses editing techniques, music and sound, as well as shots and framing and camera movements to determine the mood of the scene. Editing is one of the techniques Burton uses to create emotion and suspense in the audience. One way Burton does this is by using fade in Big Fish, Edward crosses paths with Karl who was waiting for him on the longer road.

Through setting, Harry Potter evokes fear in the audience. Certain elements build towards the feeling of darkness, with the foreboding world used to emit fear. The setting scares audiences, inhabited by ghosts and spirits. It evokes a malign presence, evident in these scenes.

Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.

“Movies are like an expensive form of therapy for me”(Burton). Tim Burton, a very mysterious and dark director, had produced many unsettling but fantastic movies. Edward Scissorhands and Charlie and the Chocolate Factory are two very well produced movies from him, which feature common themes shown with appropriate cinematic elements. Tim Burton uses tilt, low key lighting, and non-diegetic sounds in Edward Scissorhands and Charlie and the Chocolate Factory to convey how creepiness can lead to curiosity. Tilts are generally used to show the vertical significance of something.

For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.

Ridley Scott’s film Blade Runner is known for its incredible use of very low key lighting, the dark appearance of the film not only exemplifies the futuristic L.A city but also ties the film in with a modernized film noir style. The low key lighting in combination with the neon lights and signs creates a correlation between the light and the dark, this represents the conflict throughout the film between humanity and the replicants. Investigating the lighting throughout the scene when Deckard, played by Harrison Ford, retires the replicant Pris, Played by Daryl Hannah; this scene incorporates a well placed combination of blue, white, pink, and green light to develop a dark but colorful environment. This mix between high key and low key lighting is vital to the visual development of the films central conflict and dangerous mood of the city. The scene opens with Deckard slowly moving through the doorway with his gun drawn as a light blue light rotates past in the background.

Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.

In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

In a mansion on top of a hill overviewing a small town lives a man named Edward, Edward had scissors for hands and was created by an inventor that hadpassed away recently and Edward was never finished, but soon he would be see a woman named peg enter his old abandoned room even frightening her when she called out for the owner of the house but realized that he was a sad figure with scissors for hands and so she had him stay and live with her so she could take better care of him than that old mansion ever could. But one Christmas night after Edward was tricked by Jim and was arrested for thievery, the town didn’t accept Edward for who he was and he went on a rampage cutting bushes to scary figures and he finally went back home to his mansion but Jim was waiting there with a gun and Edward killed Jim in self-defense and Kim told the town they both killed each-other for the safety of Edward had depended on it and then the entire town went back to the old ways before the time of Edward and without a Teenage drunk on a rampage named Jim and it was all in a form of Tim Burton’s Style. Burton’s style in the classic movie Beetle Juice is a movie that explains what happens after death and it even comes with a manual for the recently deceased and the number one thing to remember is that the living usually ignore the

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

An example of low key lighting in Charlie and the Chocolate Factory is when Willy is with her father as a child and they are discussing the cons of candy by the low light fire. This example creates a sad and depressive mood because of how dark the place is and how Willy lives in a strict household and style. This also helps the viewer understand how Willy feels sometimes when he is with his father. An example of low key lighting in Edward Scissorhands is when we first see Edward hiding in the corner of the attic in the mansion. This example creates a suspenseful and eerie tone because we don’t know what Edward looks like and how creepy and mysterious he might be based on what experiences he might have been through.

The plot of a story is only half of the battle. The other half is grabbing the viewers attention and making them interested and anxious about what happens next. Burton does that by using his skills and technique. A great example of this is shown at the beginning of the movie, “Charlie and the Chocolate Factory” when the