Donatello Vs Michelangelo Analysis

The Cycladic Female Figurine, located at the Walter’s Museum of Art in Baltimore, is a small sculpture originating from the Cyclades islands in the Aegean Sea sometime between 2500 - 2400 B.C. The sculpture depicts the nude female figure covering her stomach with her arms, with little to no facial features. The nose and breasts are protruding out of the figure while the rest of the figure remains flat. The neck of the figure is long and slender, which connects to a half circle with a nose that extends beyond the flat surface. The color of the piece is a greenish brown, and the material of the sculpture is made of marble with a very smooth surface.

These understandable themes allow Michelangelo’s viewers to relate to the paintings at a personal level. Michelangelo and Reb Saunders can be compared to each other by how others comprehend their ideas. Reb Saunders is not understood by others because of his complex and peculiar thinking. Michelangelo, on the other hand, is easy to comprehend because of his personal style of

People have told stories with marble, as well as ink. The focus of the Renaissance was the arts. Artists had evolved their skillsets since the Middle Ages, for example, their paintings weren’t 2D and they focused on people rather than just gods. The detail of sculptures and paintings became more realistic than it had been during the Middle Ages. In Michelangelo's sculpture David completed in 1504, he sculpted an image of David from David and Goliath holding a slingshot, before he kills the beast with a stone.

The shape of a pointed-up triangle represents the maturation of David’s masculinity. The triangle is equal on all three sides, this symbolizes David’s physical appearance. David’s personal attributes suit the norm, yet within he possesses a deviation. David is witty and compassionate; red and royal blue symbolize these traits. Confusion and emptiness penetrate David’s soul.

David represents very muscular, he wearing a robe. And this robe is the Roman style robe, ever thought David is not a

When another artist remakes the work of a former one it always gives a sense of admiration and gives another point of view on the topic. The two sculptures of David are both breath taking. However, Bernini and Michelangelo achieve this feeling in diverse ways. Bernini’s David gives the sense of a Baroque styled sculpture. Meaning that it expresses a grandiose image that portrays masculinity.

This nude sculpture shows a feminine aspect. For example, David stands with the left thigh exposed. The way he holds a sword and the way he leans his weight (contrapposto), all perfectly stand out the character of David. Contrappdosto is an Italian word meaning an asymmetrical arrangement of the human figure where the lines of the arms and shoulders are contrasted in order to balance the hips and legs while standing. In other words, Donatello’s David is very sensual, especially his sexual expression.

‘Seated Boxer’ shows a symbol of the artistic freedom in the Hellenistic period while Donatello’s ‘David’ shows the realism during the Italian Renaissance of the 15th century. The both statues were made out of bronze. David’s’ figure expresses a softer and less muscular shape compared to ‘Seated Boxer’ body is larger and very muscular to define athletic’s strength that is so mythical and not so real (Allen, 2014). ‘David’s’ body defines few differences of realistic expressions. Firstly, he wears his military helmet and military boots while standing in a relaxed way that likely looks a little bit feminine.

1. The artist Donatello molded a figure of David, the figure stands at 158 cm tall. It is currently on display in Florence, Italy and the medium used is bronze. The second figure was created by Michelangelo, the figure stands at 13’5″ tall and was carved from a single rectangular piece of marble. It is currently on display inside the Accademia Museum in Florence.

Michelangelo was the first Italian artist to depict the duo in such a position. Furthermore, Michelangelo differed from previous

At age 17, Michelangelo had begun to dissect corpses from the local church graveyard to gain a much deeper understanding of the human body. Michelangelo had to be extremely cautious when examining corpses seeing as the act was strictly banned by the church, making the act illegal. Nonetheless, Michelangelo still had an amazing understanding of the human body and its proportions were extremely critical to his success rate as a sculptor and artist. Michelangelo’s incredibly realistic sculptures showed finely chiseled veins, wrinkles, muscles, bones, and nerves. Such skill was and still is unsurpassed till this day in the 21st century.

David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.

Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,

Another reason for decorating Florence however, was so that the citizens could show their solidarity towards their community and give back to city which they so dearly loved. Such civic values not only inspired the citizens, but also the sculptors, especially Donatello, with his creation of David. He stood for Florence and her liberty. For triumph over tyranny. However, the fight was not over yet, as Florence would have to face off against tyranny once again in the next

Donatello’s bronze statue of David with his foot placed upon Goliath’s severed head was a symbol of the power of Florence and