Allusions In The Ancient Mariner

“Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance. Satan had his companions, fellow devils, to admire and encourage him, but I am solitary and abhorred. "(Shelly 94).

Furthermore, Victor’s guilt starts to turn into severe depression after he finds out his creation killed his brother William. Victor says, “I was tempted to plunge into the silent river, that the waters might close over me and my calamities forever” (Pg.103, Shelley). This extreme despair shows how severe God is punishing Victor’s mind, and that all this could have been avoided had Victor never vandalized Mother Nature. Lastly, due to Victor abandoning Monster, he ultimately leads to the death of his brother William. This is the most significant way in which God punishes him for his sins.

If he were to have Dorian’s handsome stature with his own intelligence and kindness, the creation would resemble a positive figure, but that was not the point of Shelley’s and Wilde’s argument. They propose that people should look beyond a pretty face or an ugly one to truly see the man

Burns In Frankenstein, written by Mary Shelley, the monster’s persuasive use of the allusion to Paradise Lost in his feeble attempt to convince Victor to create his Eve is overshadowed by the fate of the Pursued Protagonist. When Victor and his creation first meet on the cold confinements of the Glacier, the monster expresses his eternal hatred and vengeance towards mankind. He believes “I ought to be thy Adam, but I am rather the fallen angel, whom the driest from joy for no misdeed... I was benevolent and good; misery made me a fiend”(Shelley 87). The monster wants so badly to be Adam, loved by his creator God, and yet he resorts to the methods of Satan.

Victor conveys that any human cannot withstand the ugliness of the face of the monster. A simile is used to compare a mummy risen from the dead is not even as close to disturbing as the despicable monster he created. The Dante references to Dante’s Inferno, Dante has come across many demons in hell but, even Frankenstein’s monster is viler than any demon in hell. In response to the monster being born Victor flees in horror. He wants nothing to do with the monster it frightens him so that he deserts it to fend for itself in his apartment not caring about any sort of trouble the monster can cause: “I then reflected, and the thought made me shiver, that the creature whom I had left in my apartment might still be in there, alive and walking about.

"Never did I behold a vision so horrible as his face, of such loathsome, yet appalling hideousness. I shut my eyes involuntarily" (Shelley 228). Even Walton is repulsed by the creature’s

The Monster believes and mentioned several times that the reason that he is so angry is because of Victor. Shelley writes,

He uses the little that he knows to fuel his hatred towards humans and his creator. This shows the exponential growth of the problems that Victor has created as a result of his desire for knowledge. Not only did he create the destructive monster, but now the monster is using a hunger for knowledge, the very thing that created it, to do even more damage. This root cause is linked to everything that is causing Victor’s suffering. The monster also compares his relationship to Victor to that of God and Adam, wishing that he had the same supplication to his creator that Adam did, “I remembered Adam’s supplication to his creator.

monster says, “‘Hateful day when I received life!’… ‘Accursed creator!’… ‘God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very

He tells Walton about his lonely existence, and always desire for friendship and love; however, he finds nothing except to leave him a disgust and alienation of everyone. Additionally, in this quote, the Monster has compared himself to Satan and then concludes that he is more wretched than Devil, which can be seen that he alludes again to Paradies Lost, one of his most loved artistic works. And at the end of this sentence, he says that “I am alone.” Even though this brief is unclear, we can easily feel that Victor's death had an effect on the Monster, who had reached the desperate depths of

The central passage in Volume 2 Chapter 8 of Mary Shelley’s 1818 novel “Frankenstein” is the. The subsequent rage in his rejection by the De Lacey’s plunges the Creature into a fit “of utter and stupid despair” as he loses “the only link that held [him] to the world”. As the human emotions of “revenge and hatred fill [the Creature]”; his memories of the De Lacey’s converge in his conscious, their benevolent attributes and characteristics combating his revelling anger at their reaction to his plea for acceptance albeit not for long. The Creature eventually turns his “fury towards inanimate objects”; Shelley demonstrating the Creature’s capability for benevolence as he is “unable to injure anything human”.

This quote demonstrates the creature's identity since he is extremely and openly disapproving until something terrible transpires. The beast loved humanity and regarded them until they let him around attempting to damage him. This makes sensitivity in light of the fact that the creature has made a decent attempt to be acknowledged yet it goes the other way and he is considerably more rejected. Shelley utilizes extremely particular dialect as a part of this citation. This beast alludes to 'ghastly anger' and 'wrathful activity'.

In his ballad “The Rime of the Ancient Mariner,” Samuel Coleridge frames the narrative as a discussion between the Ancient Mariner and his listener, the wedding-guest; detailing the mysterious and supernatural events of his past, the Ancient Mariner uses his parable to warn the wedding-guest about disrespecting and acting superior to nature. Likewise, William Wordsworth’s pastoral poem “Michael” also possesses a similar frame, as the narrator conveys Michael’s tragic past directly to the reader. Nevertheless, in both poems, the predominant voices frame the past through the perspective of the present. In “Michael,” this comparison between the past and the present creates a sense of loss or nostalgia for a better, pastoral life. In contrast,

Throughout “The Rime of the Ancient Mariner” there are two separate narratives occurring at once: the story of a wedding guest listening to the tales of an ancient mariner, and the story that the ancient mariner presents. While the poem opens and closes with the narrative of the wedding guest and the mariner, there are times in which there are breaks in the mariner’s tales to describe what is presently happening. Coleridge wrote this poem in a way that while the mariner’s tales are presented, you are still aware of the present situation, in which the wedding guest listens to these tales. It is not until the end of the poem that the reader and the wedding guest are aware of the ancient mariner’s reason for telling his tale. The mariner describes that the penance for his actions is to tell this tale to others, stating, “Since then, at an

Romantic poets are widely known for challenging Renaissance era thinking, by focusing heavily on feelings and emotions, rather than on scientific knowledge or thought. Such is the case for the narrative poem, “The Rime of the Ancient Mariner”, by Samuel Taylor Coleridge. Coleridge crafted an epic, narrative style poem, which explains to the reader, a story told from the perspective of an old mariner. The mariner stops a guest at a wedding party and lulls him into a state of almost hypnosis, he then goes on to weave his story. The mariner, while out at sea with his crew, gets caught in a foggy, ice field; an albatross appears in the sky to steer them through the harsh weather.