2001: A Space Odyssey Cinematic Techniques

The internet, in short, is our everyday savior when in distress. Technology is a need in the 21st century. It is our main source of communication, socializing, learning and many others. However, according to Nicholas Carr’s “Is Google Making Us Stupid?”, published in the July/August 2008 issue of the Atlantic, the internet is reprogramming his memory, and remapping his neural circuitry. Despite using logos intensely and multiple rhetorical approaches in convincing the reader of his point of view, Carr fails to make a logical, persuading argument for multiple reasons.

“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).

Like the great space epics of the past, Christopher Nolan’s “Interstellar” gives the viewer a taste of how the futuristic life here on Earth can challenge human existence. Interstellar" follows a team of NASA astronauts searching the stars for another planet where humans might be able to relocate, after climate change has made Earth almost uninhabitable. The Film is full of visual dazzle, thematic ambition, geek bait and corn (including the literal kind), is a sweeping, futuristic adventure driven by sorrow, dread and remorse. Trying to jot down notes by the light of the Imax screen, where lustrous images, shot by Hoyte Hoytema flickered, I lost count of how many times the phrase “I’m sorry” was uttered — by parents to children, children to

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

In the intensity of previous scenes, the gravity and magnitude of the situation can become clouded. By visually taking the viewer off the vessel, the persistence of plot is given a moment to ponder the personalities on board and realities of their endeavor. Both film and novella venture away from immediacy to provide unorthodox ganders into the essence of the

2001: A Space Odyssey is a 1968 movie by Stanley Kubrick based on Arthur Clarke's short story The Sentinel. The story and the movie discuss many themes, but the most important one would be the theme of evolution of mankind; it is important because one can see how the actor/author focused on it more than any other theme. The movie opens up with a tribe of apes, (and as it is believed by many, apes are humans' ancestors.)

Even though it may be just a stereotype, the Scottish people are not generally known for their joyful nature and friendliness. No wonder, considering the geographical location of the country, the weather and the scarce population in the wild landscape. Kilts, mysterious countryside full of lochs and ruined castles, back pipes, whiskey and Brave Heart is what usually comes to people’s minds when Scotland is mentioned, but legends and nature are not exactly what the contemporary Scottish films usually focus on. Once a person gets himself into the modern Scottish cinematography, what they encounter are not huge historical and probably not even real battles taking place in the romanticised landscape of Sir Walter Scott. The movies focus rather

Letter from an Unknown Woman CA 1 Style and Stardom Mickaela Farrell 10296509 “…Legendary European director Max Ophüls ' deeply moving, timeless film, considered his greatest and most successful American film but a film, unlike most Hollywood films. …. It demonstrates his lyrical, gliding camera movements, long tracking shots, atmospheric melancholy and romantic dialogue…” As a basis in the film we see the anonymous letter detailing the tragic fate of Lisa Berndl (Joan Fontaine) as being read by Stefan Brand (Louis Jourdan) the letter and begins: “By the time you read this letter, I may be dead . . . If this reaches you, you will know how I became yours when you didn’t know who I was or even that I existed.”

Kubrick directed this film to be large in scope with a long spanning plot, giant sets, a slower pacing, and a more complex idea. In all of his previous films Kubrick want’s to get the viewer to engage with the film and form their own opinions on the ideas presented. In “2001” he uses symbolism, mainly the monolith, in a purposely ambiguous way to target people's curiosity. Behind all of the symbolism and philosophical messages in “2001: A Space Odyssey” there is a clear aim to stress the importance of space travel.

In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and

The story is about an astrogeologist’ s discovery of a construction beyond mankind on the surface of the moon. The other piece of art, “2001: A Space Odyssey” is the science fiction movie by Stanley Kubrick. The plot of the film is separated into three sections that are set in different intervals of time. Kubrick is inspired by “The Sentinel” while making the movie. Whereas “2001: A Space Odyssey” and its source of inspiration, “The Sentinel” differ in the number of relics, the result of their mission and the outcome of the technological advancements; they are also similar in the function of the sentinel and the monolith, colonization ambition and dependence on technology.

This compositions and camera movements show us how space works within an animated feature

The movie, the Princess Bride, 1987, directed by Rob Reiner and written by William Goldman, has used film techniques and narrative conventions to create certain Themes. These themes that have been used are; Revenge, Love and violence. For example, the person preforming the revenge aspect is called Inigo Montoya. Montoyas revenge is clearly proformed towards the end of the movie. This is where he battles the six fingered man, Count Ruegon; who supposedly killed his father and gave him two scars down both sides of his face.

Baz Luhrmann’s films are known their ability to make a watcher feel as if they are part of the show. Between his use of camera angles, shots and the use of a narrator, it’s no wonder he is able to keep viewers on the edge of their seat. But how does Baz Luhrmann pull off this spectacular feat of his? This is probably explained best by referring to Baz Luhrmann’s films and how he himself has evolved as a director.

While the bestselling book ‘Kite Runner’ was a huge hit and an ongoing success, the film speaks a completely different story. The largely awaited ‘Kite Runner’ film hit the public like a ton of bricks. Some enjoyed it down to the last second. However, this movie was largely hyped up, and the quite extravagant anticipations from some so called ‘movie experts’ created an even larger bitter aftertaste after watching this movie.